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Twittering THE WOLFMAN

"The Wolfman"
The quick verdict? Bloody worth it. A rant and an review are forthcoming. Suffice it to say I screamed like a little girl. Yeah ... don't judge me.

#wolfman from:blogdiva - Twitter Search

The opening credits are literally "there will be blood" gory #wolfman
Friday, February 12, 2010 11:53 PM

I want to go on record as being bothered by Benicio's choice of not having a British-ish accent #wolfman
Friday, February 12, 2010 11:58 PM

ooh! Victorian scholars are going to flip over the choice of casting of Laurence's mother. Well played #wolfman
Saturday, February 13, 2010 12:03 AM

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Unintentionally racist moment brought to you by CHOIRE SICHA


Whether he likes it or not, Choire has become enough of a fixture of the post-Gawker online publishing world to be considered part of the New York City media elite. And he's white. So it's no surprise I hurt my eyes rolling them after reading what is obviously intended to be a clever little throw-away post for him in What Were Black People Talking About on Twitter Last Night? | The Awl:
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The Washington Post's social media guidelines and the lie of journalistic freedom from bias

Here's the background: The features editor of the brick&mortar Washington Post, Raju Narisetti,  tweets some awesome commentary such as :

“We can incur all sorts of federal deficits for wars and what not ... but we have to promise not to increase it by $1 for healthcare reform? Sad.”

and 

“Sen Byrd (91) in hospital after he falls from ‘standing up too quickly.” How about term limits. Or retirement age. Or commonsense to prevail.”

These comments were tweeted on a private account; meaning that unless Narisetti gave you permission to follow him, there was no way to see the tweet. That is, unless it was cut and pasted into a new tweet, email, blog post, et cetera; and attributed back to him. Is that a bad thing? No, not really. There doesn't seem to be a breach of privacy. The problem has to do with the Washington Post itself.

In Ombudsman Blog - Post Editor Ends Tweets as New Guidelines Are Issued, Andrew Alexaner writes about Narisetti's reckoning of his tweets: They were “personal” observations, he said. “But I also realize that... seeing that the managing editor of The Post is weighing in on this, it’s a clear perception problem.”

And that's in and of itself a problem: The assumption that there's no perception at all in news reporting. And that WaPo sees this as what brings value to their "brand of journalism". A brand of journalism that seems to say that nothing that has happened in last 100 years in the field of knowledge studies (philosophy, linguistics, history, sociology, politics) bears any threat to this "freedom from bias" lie.

Let me give you a recent example using the latest news about Roman Polanski as an example.

Look at the following headlines which basically report on the same bit-of-news about Polanski's arrest and impending extradition to the United States. There's from the website of a California TV station, Roman Polanski arrested on warrant for 1977 sex charge. Here's the headline for a report coming out of the usually right-wing and conservative Examiner: Director Roman Polanski arrested for 1977 rape. Yet also look at the rather fact based opinion piece wrritten for the Guardian by Melissa McEwan: Roman Polanski's life of crime. Compare that to Anne Applebaum's The Outrageous Arrest of Roman Polanski. This last one was written for The Washington Post and still is bereft of any explanation of Ms. Applebaum's conflict of interest in the Polanski matter.

That's just a rather pedestrian example but it presents rather nicely how bias is projected by newspapers. In the case of the Polanski debacle there are those who refuse to call him a rapist even though he plea bargained his way into the statutory kind. Then there's those who either see Polanski as too good for the adjectives "fugitive", "criminal", "statutory rape" and instead opt for describing his situation as being inconvenienced by a "sex charge".

Which is why it's really amazing to read these guidelines. At this day and age, it is rather distasteful if not ludicrous for any newspaper or media outlet in this country to publish guidelines that dictate, All Washington Post journalists relinquish some of the personal privileges of private citizens.

WaPo is not only denying they are free of bias when writing a headline about a fugitive child rapist who also is a popular Oscar wining director. What they are saying also is that, after the 100+ years of ontological work by the likes o Nieztsche, Hegel, Blanchot, Derrida, Deleuze and Guattari, Foucault, Eco, Barthes and others that "perspective" and "opinion" are matters of "personal privilege".

As if perspective were something outside of humanity, something that you can turn on and off. As if "giving up perspective" were not only possible but in the case of WaPo something their employees really want in order to sell their "brand of journalism"

To which I have to say to the ladies and gentlemen of the Washington Post editorial board: Every single article or report your company publishe is a representation of your collective biases as a publication. To try to hide your biases is exactly the same as admitting them and wishing them away. Denying the individuals who work for you as journalists their ability to express and discuss their opinions and biases in a public forum is to force them to lie about the work they provide to your company. Which is to say, your desire to sell impartiality as residing outside of the reality of human perspective is a lie and it taints your image by suggesting you are a fabricator of news instead of being a true witness to history.

The full text of the guidelines was posted by Staci D. Kramer and we're reblogging with my commentary below:

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POLL: On the semanticity of DOMESTIC VIOLENCE hashtags

What's this poll about?: 

I was just asked what was the best #hashtag to use when twittering about DOMESTIC VIOLENCE. I honestly didn't know but a quick search and some DMs later left me scratching my head. But let me give you a bit of context before I go on with this little poll and rant Smiling

A hashtag is basically a key word, phrase or term used for making tweets or dents easier to search. They are part of what we call folksonomies: Users organize information with tags that make sense to them and not with a control vocabulary managed by an editorial or semantic "god".

The issue with hashtags though is of design and semanticity: can the hashtag, especially when dealing with acronyms, be clear, common or clever enough to represent it's meaning.

Let's go back to Domestic Violence: If you do a search in Twitter you will find the use of #dv, #domesticviolence and even #vaw which veers off so much from the topic as to obfuscate the issue by focusing only on violence against women.

Creating hashtags may be as easy as putting a pound sign before a word as in #hastag. Yet on Twitter, given it's self-imposed limit of 140 characters and space, using the whole term #domesticviolence just as a hashtag that you append to a tweet might actually be a bad idea.

In other words, there's an element of language design that needs to be taken into consideration. #DV just as #P2, #TCOT really doesnt mean anything. #TCOT and #P2 gained traction only after websites (along with some much needed publicity) were created to aggregate and contextualize their twitter streams.

#DV may become the hashtag for "domestic violence" but until then, follow tip number 9 of my Eleven quick tips to better tweeting: Use words and phrases as hashtags. So, for example: Twitter about #DomesticViolence and not just Domestic Violence. And in this case do append #DV to the tweet. The more #domesticviolence is identified as #dv, the more it will gain sense (and in a sense "branding") as piece of metadata to follow in the semantic web.

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Eleven quick tips to better tweeting

The diversity of professionals and therefore topics that happen on my twitterstream is staggering. Every day I learn something new from any number of people who I follow on Twitter. Which is why I ended up writing this post.

This morning I was trying to follow one of my twitterinos. She's a finance expert and everything she had to say seemed not only interesting but important. Yet I grew frustrated trying to follow her writing due to her unfortunate use of shorthand and abbreviations. They may have been clear for other finance professionals following her, but they were completely lost on me.

I do consider myself a rather good writer and twitterer. I love "talking through text" and it's something that I've become rather good at by sheer volume of practice, practice, practice. I live, breathe, eat not just "writing" but "writing for the web".

Let me then share with you some tips on how to make your twittering better:

  1. Don't abuse shorthand, abbreviations or acronyms: OMG, OMFG, BTW, IAWTC, SFM are by now part and parcel of forum, blog and chat speak. Yet if you are using AMA for "American Medical Association", hashtag it (#AMA) so people understand it's a "special" phrase or term

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If money and success were about just having a positive attitude, I'd be a kabillionaire


If you can't handle a good heaping of cynicism, please back away and don't make eye contact.

... (clears throat) ...

One of the most distressing trends on Twitter are all the gurus on it. Everybody and their mother is "social media expert" yet most know very little about media, technology and most importantly, they have no clue how networks function on the web (which is the whole "social" basis of a lot of new media).

Then there's the marketing gurus who can make you a millionaire IF YOU GO TO THEIR TELESEMINAR RIGHT NOW! What I don't get about these people is, if they know the secrets of being a millionaire, why are they on Twitter hustling for clients in the first place. If it were that easy, wouldn't they be swimming in money they could use to hire people to do the marketing for them?
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