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She may call herself a barracuda but she doesn't speak for Heart


Exclusive: Heart's Nancy Wilson responds to McCain campaign's use of 'Barracuda' at Republican convention | Current Affairs, Music, Music Biz | Hollywood Insider | EW.com:

"'Sarah Palin's views and values in NO WAY represent us as American women. We ask that our song 'Barracuda' no longer be used to promote her image. The song 'Barracuda' was written in the late 70s as a scathing rant against the soulless, corporate nature of the music business, particularly for women. (The 'barracuda' represented the business.) While Heart did not and would not authorize the use of their song at the RNC, there's irony in Republican strategists' choice to make use of it there.'"
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I have been infected by the 'Code Monkey' bug


OMG! This is a whole phenomenon. Via Librarian's Matter, I found more Code Monkeys. Here's my favorites :

I have just wasted almost an hour of my life following my sons recent obsession. LOL!

This post wouldn't be complete if we didn't include the original code monkey. I give you, Steve Ballmer --Microsoft's Monkey Boy-- The Remix :
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Free Culture: The Nature and Future of Creativity

cover of Free Culture: The Nature and Future of Creativityauthor: Lawrence Lessig
ASIN or ISBN-10: 0143034650
binding: Paperback
list price: $16.00 USD
amazon price: $13.96 USD



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The truth is that as a woman, a woman of color, and specifically an African American woman, the insults come so fast and furious that there’s always the danger of becoming overwhelmed and de-sensitized.

Sad to say, but I’m used to hearing black and brown women being call “bitch” “ho” “skank” “skeazer” “gold digger” or some variation of all of the above in popular songs and music videos. “Norbit,” Eddie Murphy’s current movie, may be the most recent example of a black man putting on a dress and playing the fat, ignorant, loud, brown-skinned black woman as an object of ridicule and revulsion, you can bet it won’t be the last. And check out “Flavor of Love,” VH1’s hit show in which women demean themselves in an effort to get Flava Flav - brought beneath low since his high as a member of the seriously political rap group Public Enemy - to choose them.

What these three have in common is that they demean black women, earn handsome profits for their corporate sponsors, and for the most part exist devoid of criticism.

— Jill Nelson

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