Ku Klux Klan

The Jena Six Case or why justice is not served when we need to ask for permission to be black

Imagine your son coming from school and telling you that he had to ask permission to the school principal to sit during recess under the "white's only" tree, which happens to be the only tree in the schoolyard. Then imagine your son coming back from school telling you that he could sit under that tree but now there were lynching nooses covering it.

Then imagine that word spreads. People of all ages and races talk about the incident. Some white and black kids get into an altercation and the rumble. One of the white kids draw a gun on 6 of the brawlers, but they're able to rumble harder with one of the white guy's friends.

Now, imagine you are the mother of one of those guys. The white kid that got his ass kick luckily is fine. He even goes to school and to an event the next day.

Now imagine being the mother of one of the 6 brawlers. While the white instigators threatened to kill the black teenagers with a gun, there's a police officer knocking on your door with a warrant for your son's arrest. The crime? Attempted murder. Not disorderly conduct or assault and battery, which would have been possible valid reasons to take your son to the police station. No. Your son is going to jail for attempted murder of a guy who walked away with some cuts and bruises.

That's what The Jena Six Case is all about.



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I always have difficulty expressing my political judgments in a clear, emphatic, and strong way—I feel pretentious, as if I'm saying things that are not quite true. This is because I know I cannot reduce my thoughts about life to the music of a single voice and a single point of view—I am, after all, a novelist, the kind of novelist who makes it his business to identify with all of his characters, especially the bad ones. Living as I do in a world where, in a very short time, someone who has been a victim of tyranny and oppression can suddenly become one of the oppressors, I know also that holding strong beliefs about the nature of things and people is itself a difficult enterprise. I do also believe that most of us entertain these contradictory thoughts simultaneously, in a spirit of good will and with the best of intentions. The pleasure of writing novels comes from exploring this peculiarly modern condition whereby people are forever contradicting their own minds. It is because our modern minds are so slippery that freedom of expression becomes so important: we need it to understand ourselves, our shady, contradictory, inner thoughts, and the pride and shame that I mentioned earlier.

— Orhan Pamuk
Freedom to Write

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