Movies

"Ché" Roadshow at IFC Center in NYC

24 Dec 2008 - 2:00pm
8 Jan 2009 - 7:00pm
EST

From the IFC Center website:
November 26, 1956; led by Fidel Castro (Demian Bichir), a band of 80 rebels sails to Cuba. Among these young rebels is Argentine physician, Marxist, soldier, Ernesto "Che" Guevara (Benicio Del Toro, Best Actor winner at the Cannes Film Festival). Nation-less, strapped for resources and fueled only by determination, the group engages in swift, bloody battle to free the Cuban people from the corrupt dictatorship of Fulgencio Batista. Che and his soldiers wrestle the nation's resources and affection from Batista's grasp. Though considered a hero by some, Che becomes a hugely controversial figure. At the height of his fame and power, he disappears. Entering South America incognito, Che recruits another band of guerilla fighters in the harsh Bolivian jungles. They embark upon a mission to spark revolution throughout Latin America.

Related :
Four things you need to know about Ernesto Guevara before watching Benicio del Toro as "Ché"


*****
liza's picture

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There is no way in hell that "The Water Horse" is a cute movie

I am sorry, there is no way in hell that a slimy reptilian like monster is in any way, shape or form, cute and cuddly like dog or a horse.

I can smell the slime on the Loch Ness monster in that poster from here. I can even feel the scaly skin on the creature and all I want to say is, "Eww."

Yet what I don't understand is how any child may want to have a monster lurking in their backyard pond. I still have the imagination of a kid and some think I am quite immature. I can't imagine a time in my life when I wanted to have the Loch Ness monster as a pet.

I mean, seriously.


liza's picture

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ATTENTION OSCARS SHOW PRODUCERS : Shave 5 minutes off the show by giving Daniel Day Lewis the statue at the red carpet

Macro made by moi

Seriously.

WTF!

I haven't seen the movie. Actually, I am going to come clean : I haven't seen any of the movies.

That's right. I haven't given a shit about movies for a long time, especially if they are meant to make me ponderous or outright depressed. I think everything went downhill for me after I watched Pier Paolo Passolini's Salo. I just couldn't do cinema easily after that.

Back to DDL.

It's seems that Mr. Day-Lewis here has been sweeping every single major acting award for the past 2 months. My bb Viggo won a few awards but Daniel is one greedy motherfucker ... or should we say the judges are just plain lazy.

Anyhow, I'm scooting over to the Oscars Watch Party over at Comix Club here in NYC. It's sad, but I haven't been to an Oscars party in years. Worse of all, it's the first time in months I go out for fun as in not related to blogging and/or business.

If it weren't a work day tomorrow, I'd totally get smashed Laughing out loud

Hopefully it won't suck.

So which actors and/or movies are your favorites?

I'm not going to be around until after the Oscars. If you're looking for a fun place to crash online, the best place for Oscars buzz is, of course, Oh No They Didn't.


liza's picture

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Movie Opening in Los Angeles: LIBERTY KID

1 Feb 2008 - 4:20pm

My wife takes Karate at a local dojo for women. One of her fellow students has a new film coming out, opening in Los Angeles. I cannot personally vouch for it, but I hear it is quite good! Here is an email from the film maker about the opening and critics' reviews:

LIBERTY KID - the new film by Ilya Chaiken
Opens Feb. 1 in Los Angeles!
Please spread the word!!!

Laemmle Grande- 345 S. Figueroa St- Downtown L.A.
www.libertykidmovie.com

[show times are: 5:20pm 7:30pm 9:50pm]

"N. Y. Times 'Critic's Pick'- There's not a single wrong note in
"Liberty Kid," Ilya Chaiken's poignant drama. Tender, wise and
deceptively low-key... everything about this film feels effortless."-
New York Times

"New York Magazine 'Critic's Pick'- Chaiken's subtle narrative touch,
along with the exceptionally strong performances of leads Al Thompson
and Kareem Saviñon, gives this one a rare emotional pull."- New York
Magazine

"Chaiken makes us feel for her characters... "Liberty Kid" is a
poignant look at what might be called 9/11's collateral damage".- NY
Post

"Liberty Kid elevates… by keeping a 'Wire'-worthy ear to the street
talk of south Williamsburg and maintaining a shrewd balance of the
personal and the political… an uncommonly acute, deftly played drama
of the New York working class"- Village Voice

"the least explicit yet most affecting film yet to depict New York in


mole333's picture

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I'm not dead!

And here it is, you're moment of Zen : Monty Python and the Holy Grail's "Im' not dead yet" bit :


Sad but true story : I have been an oddball most of my life but especially after "discovering" at age 11 or 12 Monty Python. Remember, I grew up in Puerto Rico. Puerto Ricans don't do Monty Python. So for me to quote this movie and laugh hysterically among a group of cuchifrito loving gwannabes was, well, seen as just plain old weird.

So anyway, the thing is that when I first met the father of my children, I remember clearly turning to my roommate who happened to be Puerto Rican, and telling her, "OMFG, he looks like a cuter Eric Idle". And yes, there was much consternation and glazing of eyes and "you're so fucking weird, Liza".

It's been almost 20 years since I first said that ... and no, I think he waaaaay better looking than Eric Idle; unfortunately not as funny. Well, maybe a little.


liza's picture

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Pig Hunt: A Horror Flick to Look Out For

Straight from fangoria.com, look out for this new film that's in the works. A good friend Bryonn Bain, New York lawyer-activist-poet and now actor plays a key role in this movie. We're all very proud to see his talents rise up to the big screen. . .

With Jim (SKINWALKERS) Isaac’s latest horror romp PIG HUNT wrapped, the director sent Fango a slew of exclusive pics from the flick, which details the exploits of a massive (and massively) homicidal boar known as “The Ripper” and the various eccentric denizens of the remote northern California town it terrorizes. Bloody good stuff, to be sure, and PIG HUNT screenwriter/co-producer Robert Mailer Anderson assures us there will be even more on display in the finished film.

“One of the goals of PIG HUNT is to examine death, and why people kill, so there will be a fair amount of gore,” Anderson tells Fango, “but it isn’t ‘torture porn.’ PIG HUNT is old-school terror, like DELIVERANCE or STRAW DOGS—except, of course,” he notes playfully, “for the ‘Abu Ghraib’ setpiece, and our 3,000-pound wild hog, and the dead emus, and the decapitation, and the gunplay.”

Filmed from April 23-June 6 in Boonville, CA “and three days in San Francisco, including a day at Kerner Optical [formerly ILM Special Effects],” PIG HUNT also employed the talents of 2nd-unit director Justin Sundquist and “action heroes Spiro [MANIAC COP 2] Razatos and Igor [BOURNE ULTIMATUM] Meglic, who made our ROAD WARRIOR-esque action sequences doubly intense,” Anderson says. “Rex Reddick rode his dirt bike like a man possessed, or a meth addict redneck hell-bent on revenge—like the script called for!”


*****
Shreya Mandal's picture

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Owen Wilson

Owen Wilson
liza's picture

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Transformers ... They're almost here!


I hate Monday mornings. It's almost noon and I have been juggling a kabillion different things since 7am. I need a break badly and so ...

I LOVE MICHAEL BAY!!!!!!!

This movie just looks ...

OMFGOMFGOMFGOMFGOMFGOMFGOMFGOMFGOMFG
OMFGOMFGOMFGOMFGOMFGOMFGOMFGOMFGOMFG

AWESOME!

Can't wait to see it.

And, people, can we skip the voting and ceremonies and just give the Transformers' Visual and Sound Effects teams the 2008 Oscar?

Okay?

K.


liza's picture

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By the time a century or two of exploitation has passed there comes about a veritable emaciation of the stock of national culture. It becomes set of automatic habits, some traditions of dress and a few broken-down institutions. Little movement can be discerned in such remnants of culture; there is no real creativity and no overflowing life. The poverty of the people, national oppression and the inhibition of culture are one and the same thing. After a century of colonial domination we find a culture which is rigid in the extreme, or rather what we find are the dregs of culture, its mineral strata. The withering away of the reality of the nation and the death-pangs of the national culture are linked to each other in mutual dependences This is why it is of capital importance to follow the evolution of these relations during the struggle for national freedom. The negation of the native's culture, the contempt for any manifestation of culture whether active or emotional and the placing outside the pale of all specialised branches of organisation contribute to breed aggressive patterns of conduct in the native. But these patterns of conduct are of the reflexive type; they are poorly differentiated, anarchic and ineffective. Colonial exploitation, poverty and endemic famine drive the native more and more to open, organised revolt. The necessity for an open and decisive breach is formed progressively and imperceptibly, and comes to be felt by the great majority of the people. Those tensions which hitherto were non-existent come into being. International events, the collapse of whole sections of colonial empires and the contradictions inherent in the colonial system strengthen and uphold the native's combativity while promoting and giving support to national consciousness.


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