Theatre

Thanks to Culture Kitchen's ad lineup, I just learned something I really wanted to know but wouldn't have known to look for any other way, probably. (Keep watching those ads, y'all!)

If Ira Glass' --yes, that's the possessive with an apostrophe and NO extra S! -- new tv show is destined to be as good as his "This American Life" on radio, then I finally have educational justification to add the network airing it to my cable service. His NPR show on superpowers, with John Hodgman interviewing regular folks on the street about whether they'd choose flying or invisibility and why, was an instant classic. And the show about what three things we live and die for -- talk about power of story. . .Ira Glass doesn't tell stories the way anybody else does.

Episode 1 - "Reality Check"
Three stories of people who hatched plans in the hopes of making their dreams come true, but were snapped back to reality by unpleasant outcomes: an elementary school student tries to solve a common childhood problem; a rancher resuscitates a beloved pet, which later turns on him; people team to give an unknown rock band the greatest night of its life.

I remember the last bit, about the unknown rock band, from the radio show. There was a LOT more to it than this, about creativity and community, whether contrived spontaneity and ambush improv is fair (a la Borat?) and whether it's true, for the players OR the unsuspecting audience -- I'm still thinking hard about the cultural questions of meaning it raised for me.

Let's just say that I should have gone to see Dream Girls instead. This three hour-long attempt to give a historical account of the birth of the CIA made my butt fall asleep in the theatre at best. The plot is disjointed, and Angelina is utterly unconvincing as a disheartened uppercrust housewife of the 50s. Matt Damon's stoic performance confirms that he should just stick to the screenwriting and leave the acting to Leonardo. This boy seriously lacks versatility. Better wait for this one to come out on DVD.