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Raw Thoughts On 'Is Cyberspace Colorblind?'

My background is in literary analysis and philosophy of language --I actually read Lakoff for the first time 20 years ago. Still find it funny people in the lefty blogosphere think he is the second coming of Christ Laughing out loud

Anyhoo ... let's get a bit more granular here.

Let's start with the title of our panel :
Is Cyberspace Colorblind? Addressing Race and Class Online

Right there we have an interesting juxtaposition. Why are COLORBLIND and RACE lumped in with the word CLASS? From a semiological point of view this is particularly significant.

Without trying to develop assumptions of intent, from a semantics point of view it at least shows that grammatically, the organizers look at race not as a BIOLOGICAL IMPERATIVE but as something associated with CAPITAL. Or, in the world of web 2.0 should we call it CAPITALS - social capital, political capital, technological capital, financial capital.

The issue here then is what do we mean by :
1. Race
2. Class

And to tie it in with the technology aspect of the conference, we need to further define :
3. Cyberspace
4. Online

That would then pose the interesting dynamic of the word
5. Colorblind

Most Web 2.0 technologies have been developed from a cultural dominance standpoint. It is all in English and not just any English but the US English keyboard format.

To those of us who have international switches on our keyboards, it is obvious the US keyboard format is the dominant grammatical expression of the web --a dominance that was not obvious when publishing online meant using a WYSIWYG application like DreamWeaver.


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The truth is that as a woman, a woman of color, and specifically an African American woman, the insults come so fast and furious that there’s always the danger of becoming overwhelmed and de-sensitized.

Sad to say, but I’m used to hearing black and brown women being call “bitch” “ho” “skank” “skeazer” “gold digger” or some variation of all of the above in popular songs and music videos. “Norbit,” Eddie Murphy’s current movie, may be the most recent example of a black man putting on a dress and playing the fat, ignorant, loud, brown-skinned black woman as an object of ridicule and revulsion, you can bet it won’t be the last. And check out “Flavor of Love,” VH1’s hit show in which women demean themselves in an effort to get Flava Flav - brought beneath low since his high as a member of the seriously political rap group Public Enemy - to choose them.

What these three have in common is that they demean black women, earn handsome profits for their corporate sponsors, and for the most part exist devoid of criticism.


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