Blame Mommy
I read Judith Warner's latest column for the New York Times this morning. My first reading was not a good one. In fact, the whole column sent me into a rage. Luckily for me, it snowed last night (you may have heard that the Northeast experienced a (what else?) Nor'easter last night). For those of us who do not have servants or husbands to shovel our driveways and sidewalks for us, what that meant was that, after my routine cups of coffee and a bowl of cereal, I donned clothes (the sweats I wore yesterday, pulled out of the dirty clothes hamper), a hat, coat, gloves, and my iPod, and grabbed a shovel.
As it turns out, the snow wasn't all that bad. Only about six inches, and while it had been icy coming down, creating hazardous road conditions, on the end of my shovel, it felt fairly light. Of course, it could have been my anger was fueling me, and I did find that the only music that I'd allow the iPod to play had to have a driving beat. I attacked the snow, making a game of seeing just how far I could launch it off the end of the shovel and onto the yard. I seethed about the article, and now, having showered, drunk a cup of tea, and, tucked under blankets to try to keep warm in my old, draughty house, I am trying to articulate why the article made me so goddamned mad.
But first, before I get to that, there's something that may tie into the same sense of visceral rage. Something has re-triggered (and sometimes, I think that the safety on that trigger is permanently off in my head) my suspicion that the "blame mommy first" crowd is up to its tricks again.
Earlier in the week, I went to see Little Children, the movie. I should say that I have not read the book, but I had certainly read plenty of movie reviews that intimated that Tom Perotta's novel had benefitted greatly by its conversion to screenplay. I can't judge whether the novel would have put me off my feed as badly as the movie did; I can tell you that my desire to read the novel has been permanently snuffed by my reaction to the movie. (I should also say that I read a couple of literary novels a month, and I still can't keep up with everything I want to read, so any excuse to knock something off my list works for me.) I don't want to provide any spoilers, but here's what I will say. The movie lures you into believing that it finds white, middle-class, suburban values stifling and crippling of the human soul. And then, somehow, at the end of the movie, it turns into a morality play, wrapping everything up in a pretty pink bow and letting you know, wink, wink, that really, those values rock, especially if they involve young women who are ambivalent about their identitites as full-time moms suddenly discovering that all they really need to be is somebody's mommy.
I'm fucking allergic to that kind of message. I'm allergic to that message as a person, and I'm allergic to that message as the mother of two daughters who, I hope, will get to one day live in a world where their choices will get to be more nuanced than the boxes we have returned to trying to shove women into. (And yes. I know there's a whole plot element in the movie about dads, too, but mostly, what we learn there is that men who try to escape their assigned roles are, at heart, 13-year old adolescent dicks.)
So, Judith Warner's piece today is about how in all of the hand-wringing we've been doing as a culture of late about our sexualized girls, nobody's really looking at one of the major culprits: you guessed it—the moms. Blame mommy, again.
To be fair to Warner, I think there's a positive message at the heart of it: women need to learn to love themselves before they can teach their daughters to learn themselves. I'm okay with that. I'm not okay, however, with the idea that a woman's desire to stay sexual after she has given birth to children is somehow the problem. The op-ed opts for the easy solution—WOMEN, FIX YOURSELVES—rather than the complex one: American women live in a culture that tells them that no matter what, no matter what they are, it's never enough. Ever. And if you think you've got "enough" in one area, well, just wait, we'll change the fucking rules on you and make you feel inadequate in another area. Why? Well, because how else is capitalism going to work unless we are always striving to be something else? And what better way to do that than to buy it? Buy. Buy. Buy.
The subject of Warner's piece is supposedly, hypocrisy. The hypocrisy of mothers telling their daughters to love themselves when we're out there getting plastic surgery, complaining about our bodies to our daughters, and wearing bodacious outfits to pick up our kids from school that cause our daughters to snigger. Who, exactly, is Warner talking to? I'm assuming that she's assuming that all the moms she's addressing hang out in her social/class circle. I know a lot of moms, and I have to say, I don't know a single one of them who has had plastic surgery. Yes. Many of us, myself included, still struggle with notions of what our bodies are "supposed" to look like: but unlike the moms that Warner insists are out there, every mother I know NEVER harps on her own body in front of her daughters. Why? Precisely because we are trying like hell, we are trying the best we fucking can, to not have our daughters grow up with those same body images. (On a personal note: if Warner thinks that "Limited Too" is where we're shopping for kids' clothes, she's sadly out of touch with the reality of what most of us can afford to spend on our children's sartorial choices.)
What really seems to have set Warner off though, is the fact that women have abandoned their books clubs for stripper classes. (They have? Christ. I am so out of touch with what's trendy on the Upper West Side these days.)
Maybe it’s time to take a break from bashing the media and start to take a long, hard look instead at the issue of mothers’ sexuality, which is, apparently, after a long and well-documented dormancy, enjoying a kind of rebirth — thanks, it is said, to things like pole dancing classes and sports club stripteases. These new evening antics of the erstwhile book club set are supposed to be fabulous because they give sexless moms a new kind of erotic identity. But what a disaster they really are: an admission that we’ve failed utterly, as adult women, to figure out what it means to look and feel sexy with dignity. We’ve created an aesthetic void.
Ms. Warner: I'm all ears. What is the adult aesthetic of sexy with dignity? Can you define it? Because I'm not seeing a definition anywhere in your complaint about moms and their negative influence on their daughters. Perhaps, just perhaps, if I could have read this op-ed and gotten some sense of what it is that I'm supposed to be striving for, I might have had more to work with in my response to you other than an inchoate rage.
general rantage | Little Children | mothers | sexuality
To ease our troubled souls and minds
I've been thinking about this diary all day, it was so unsettling it put me in a pissed off frame of mind, the relentless bashing women get on so many levels.
When I need beauty in my life, when the clouds are dark and daunting, I listen to music or look at art, it was in art that I found comfort today.
For all the wondrous women on this earth, may they all be embraced and their stories told, through the voices of storytellers or in the lyrics of a song, or in art that doesn't diminish us but portrays us in more honest ways, in ways that wrap around us like a warm blanket on a cold winter's day or by the welling up of the waves that wash over us in the heat of the summer.
This is what righted the wrongs of the words in Lorraine's diary for me today, the stories that are told in the faces and bodies of real women, the women that were blamed and shamed, the women that bring honesty and integrity to this world of ours.
This is for you and for us. One of my favorite artists is Raphael Soyer because she paints women as we are, with faces and bodies that speak of truth.
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Raphael Soyer finds beauty in all the right places.
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Soyer celebrates women who walk together in this life.
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Ellen Eagle is another favorite artist of mine, so today I turned to this painting because there is a wisdom in her face that bespeaks of times gone by and times to come, a wisdom that is both haunting and glorious, a story that would surely take days to tell, oh that we could hear it all.
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This is my way of saying thank you to the women who share each other's lives, hopes, dreams and love.
You are loved, by me, one and all.
Thank you for the art gallery
I was listening to Ellen Kerschner's Sounds of Spirit on NPR this noon. Today she talked about the Borderlands battle between the English and Scots 500 years ago. And how those people have come to this country, especially Appalachia where I live. The high point of the music today was Tammy Wynette's "Stand by Your Man." That brought me right back to the discussions on Culture Kitchen's posts. Much is written about Hillary as candidate, triangulator, and more. She used that song to make her point on 60 Minutes when Bill was having a rough time countering bimbo accusations during the 92 campaign. Although she said on CBS that she didn't see herself like the song (however she phrased it) she learned later about real right wing conspiracy. And the story is just getting started!
I personally don't think Hillary has a good platform, but I would not wish her anything but the best. When men ask me if I'm going to vote for her, I tell them that if I do it will not be because she is a woman. I graduated from the window dressing days.
































I've got a hint
Don't read that kind of trash. Take the paper and cut it into a million little pieces and think of all the "ladies pages" and soap operas and Sunday advertising glossies to ignore. You got it right. You want your daughters to accept themselves as they begin to understand their womanhood. The best teacher in the world is a mother. And if life is dull, maybe unsexual, please find a really good movie. The last really good one I saw was about penquins. It's hard to believe that after these many years AF (after Freud) the poor misunderstood adult resorts to infantile ravings about poor parents.