New Media

RTMARK

In contrast to its economic equivalent, the measure of cultural capital has long eluded artists, activists, and intellectuals. Studies indicate that the growth of cultural capital is primarily concentrated in several distinct areas of political action we call "emerging markets." By encouraging the open exchange of ideas in these areas, RTMARK allows for innovative market research. RTMARK has developed the first software platform for real-time cultural capital trends analysis, built on an open-source, social networks model. With the launch of its flagship product, Protester(TM), RTMARK will become the first and only company to measure the dynamic growth of cultural, rather than economic, capital.


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So the recent struggles about network neutrality have led me to recognize something I hadn't quite seen before. And that something in turn makes more puzzling the debates that have been raised around network neutrality. The something to recognize is that in a fundamental sense, fair use (FU) and network neutrality (NN) are the same thing. They are both state enforced limits on the property rights of others. In both cases, the limits are slight --the vast range of uses granted a copyright holder are only slightly restricted by FU; the vast range of uses allowed a network owner are only slightly restricted by NN. And in both cases, the line defining the limits is uncertain. But in both cases, those who support each say that the limits imposed on the property right are necessary for some important social end (admittedly, different in each case), and that the costs of enforcing those limits are outweighed by the benefits of protecting that social end. So from this perspective, it is easy to understand those who reject FU and NN (who are they?). And it is easy to understand those who embrace FU and NN. What gets difficult is understanding those who embrace one while rejecting the other --at least when that rejection is articulated in terms of "government regulation".

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